Троянский цикл мифов в новейшей драматургии: проблемы интерпретации

Abstract

The newest dramatic texts, which interpret the subjects of the Trojan cycle of myths in various ways, are examined in this article. The appeal of modern dramatists to the theme of Troy is evident through the anthropocentricity of the Trojan cycle, which organically enters the outer literary space. The newest plays accomplish a distinct demythologization of the phenomenon of the Trojan war, a change of mythological context and replacement of traditional sacral sense connected with that cult event.