"Книги отражений" И. Ф. Анненского в зеркале журналистики

Abstract

В статье рассматривается пример того, как разнородные очерки, написанные и опубликованные на страницах газет и журналов в разное время, благодаря воле автора обретают вторую жизнь под одной обложкой, получая статус структурно-семантического единства.

Researchers of the specificity of the literary-critical path of I. F. Annensky have revealed the common features of his articles and critical essays, and have outlined his commitment to art criticism of O. Wilde. However, there is no comprehensive view of the poetics and semantics of the texts, of the “Book of Reflections” in particular, as the only and most complete collection of critical texts in order to identify the tradition that is consistent with modern literary criticism. The first and the second books are examples of how disconnected essays, written and published on the pages of newspapers and magazines at different times, thanks to the author's will, gain a second life under one cover, getting the status of structural and semantic unity. A review of the key ideas in each of the two-volume collection of texts will give an idea of the unity of motives or semantic fields. They, in turn, provide integrity on the level of content. The article discusses the definitions of the genre and method of the book voiced in journalism and literary criticism of the early 20th century.ю