Семантика пространства в художественной картине мира О. Ф. Берггольц

Abstract

The organization of space in the writer’s work is a key to understanding of the writer’s worldview.The poetics of space in the literary heritage of the Leningrad poetess O. F. Bergholz has not yet beenconsidered. The purpose of the article is to reveal the meaning-forming role of images of “home” (closedspace), “path” (open space), “threshold”, “gate”, “window” (border space) and the besieged Leningrad (extremespace) in the artistic picture of the world of the poet.

В статье рассматривается смыслообразующая роль образов "дома", "пути", "окна", "блокадный Ленинград" в художественной картине мира поэтессы.