Ритмическая композиция трагедии А. С. Пушкина "Моцарт и Сальери"

Abstract

The main subject of study in this article is the internal conflict of the tragedy of A. S. Push­kin "Mozart and Salieri". The object of the study is the rhythmic composition of the text in a broad sense, including the alternation of replicas of the main actors and the so-called "musical replicas" introduced by the author's remarks. They are considered in the historical and cultural context of the rhetorical tradition, the oblivion of which inevitably led to the subsequent "recoding" of the semantic constants of the text of the tragedy. The paper questions the stereotype of Mozart as a protagonist and Salieri as an antagonist in the development of a tragic conflict.

В статье рассматривается ритмическая композиция трагедии А. С. Пушкина "Моцарт и Сальери" в широком смысле, включающая чередование реплик главных действующих лиц и так называемых "музыкальных реплик", введенных авторскими ремарками.