"Сценичность" лирики А. Блока 1900-1910 годов как особая форма "театральности"

Abstract

В статье проводится анализ лирических стихотворений А. Блока 1900-1910 годов в интермедиальном аспекте. Рассматривается недостаточно изученный вариант "театральности" его поэзии, репрезентируемый в особой "сценичности".

The author analyzes the intermedial aspect of the lyric poems of Alexander Blok of 1900-1910. The study explores the underinvestigated version of “theatricality” of his poetry, which is represented by its specific “staginess”. The author argues that the introduction of the theatrical code into Blok's poetry takes place in the wake of the general symbolic striving to overcome individualism through the aesthetic “collegiality” of the theater. A peculiar cult of drama and theater is formed in the creative consciousness of Blok, influencing the poetics of his lyrics in many ways.